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Portrait of a Publisher as a Political Project: 30 Years of Kaya Press
Visions and Voices: Club Kaya
Nancy 2024
Itinéraires Fantômes
Grandma Entertainment Franchise
Writing Archive
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On Susan Silton at Art Journal Open
Two Parking Lots in Pasadena
On Hideo Sakata in the LA Times
Overspilling Bodies: Patty Chang at the ICA LA
Zocalo Public Square
Some Weird Fiction for Delusionarium 5
Speaking Nearby Tiffany Jaeyon Shin’s Microbial Speculation of Our Gut Feelings
Nearrest Neighbor: UCLA DMA MFA 2020
An Essay for Devon Tsuno’s Shikata Ga Nai
For HH, MKC, & NS-S
Translator, Curator, Selfish Lover; Lives and Works in Los Angeles
Ilana Harris-Babou
ektor garcia
EJ Hill: The Necessary Recondition of the Highly Deserving
A Lover’s Guide to the Package Factory
Baltic Triennial 13 Catalogue
Young Joon Kwak: Hermy
Ross Caliendo
Lila de Magalhaes
Exhibitions Archive
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More a Cosmology than a Cartography
Paroxsym of Sublime
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Luca Francesconi: Eternal Digestion
Windowlicker
Michael Zahn: I am Ann
Brian Khek: Consolidated Blue Gum
Kim Farkas: Le bien commun
Hanna Hur: undressing a clam
Beloved in the Landscape
Nothing Recedes Like Failure
Some of My Best Friends Are Germs
Inherent Risk
Editing
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In Search of Hiroshi
The Institute for Other Intelligences
Ben Sakoguchi: Chinatown
I will set a stage for you
Ricky Rides Rick by Alexandra Noel, published by Holoholo Books
Jim Shaw: The Hidden World Book
Public Programs & Interviews
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Art Consultant: ACLU SoCal
Karin Higa Panel Series
X-TRA Reading
Pitzer College Alumni Art Talks
Nina Sarnelle on Femmebit
Born in Ghostland
3307 BOOKSHELVES Residency
Hesse Press Documents: Luke Fischbeck interview
Project Scream – CalArts Center for Integrated Media
Grandma Entertainment Franchise
Nancy 2024
On Susan Silton at Art Journal Open
Overspilling Bodies
Itinéraires Fantômes
Two Parking Lots in Pasadena
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